Ticket Please

10x12 oil on panel
Sold

Truth be told, I am not sure I like this. I think I lost energy. My husband liked it a lot and that is usually a good gauge for me. But sometimes, I know I can do better and its just a matter of my hand catching up with my brain. Given my daily drama, its no wonder I tired easily.

This is from Grand Central Station.

Good Conversation

I've really enjoyed the comments and suggested reading material, etc. on this topic. I thought more about Ken's work and I think I always assumed his "red" side of the street in his paintings was the sunny side, not the shadow side. I painted a city scene on Friday following his examples, but it looks like cheap knock off. And I do not want to copy his style at all. But I really admire it. I also tried to get a lot of paint on the panel... I wanted to try that luscious brushwork. But what a mess I made! I think I am still on the side of "light changes given time, place, source".
This is a good example of why I don't teach, for those who have asked. I still have too many questions myself and paint best when I don't do too much questioning. And I can't really verbalize what I am doing.

No art yet again today because spiritually I am in the dumps. I am still dealing with dog health issues. Macy has had two surgeries in the last month and this weekend appeared to be going blind. We saw the vet this morning and he sees nothing physically wrong. So I'm waiting to hear on test results and then see if we need to see a neurologist. She is bumping into things and clearly can't see me.



This is a painting I did of her earlier in the year as she kept me company in my studio.

The Color of Light

As an addendum of sorts to my question in the post below on the color of light... is it constant? is it cool/blue? is it warm/yellow? does it vary from morning to afternoon? Is it dependent on the subject being lit?... I looked out my window and saw this white blanket I had out drying in the sun. I thought I'd isolate the colors in Photoshop to see where they fell on the spectrum.



The far right is pure white. The lightest light from my blanket is the second on the right. So its falling in a blue/gray or blue lavender I'd say. Now we can argue that the camera messed up or something like that.
But I'd say the brightest light on the blanket is fairly cool even with the direct, extremely hot Texas sun still shining on it.
(Its still summer here and I'm tired of it, can you tell?)

New York Trip

Today I am sharing my work from the damp streets of NYC. I tried Ken's approach, which is an interesting one. If you look at his website, you can see a video demo of his work in progress (under workshops). You can see he starts with a black paint sketch and then builds up his color blocks. Now what really sort of threw me and the rest of the class was that he see light (sun) as "cool". Granted, when you lighten with white paint, it will cool it because white tends towards blue. And when you have cool light, you get warm shadows. That makes sense to me, but the idea that its always that... when I looked at the buildings before me and saw warm grays and ochres, etc. was very strange. He had convincing arguments, and its not my place here or anywhere to speak for him or represent him. But I am curious what other's thoughts are on "light". Does it change temperature? Is it always towards the blue or cool because of the sky? And if you see this way and paint it as such... do all your paintings look alike? Mine did! See below:





On Sunday, I decided to paint what he painted. Literally, I copied his painting. He thought it a good exercise.

This is our scene:



This is Ken's marvelous painting:



Here is my copy:



Here is a close up of his:


We used a limited palette and he used a LOT of paint. Definitely click on the image above to see it in detail. I want to try this myself. If only I could find the time to "play" this week. So far, everything at home is falling apart. Again, Ken is a fabulous teacher. I highly recommend him if you are interested in loosening up, painting lush cityscapes and creating art and not just copying a scene. And if you think it looks easy or unfinished, let me tell you, he worked very hard to create it.

New York Scenes

This was fun to create and about all I could handle as I recover from my trip!
It was awesome. Ken Auster is a fabulous painter, we all knew that. But he is also a generous and enthusiastic. He shared so much information with us, managed the time well, and really inspired me.
The city itself is inspiring as well. I have to say that though it mizzled (drizzle and mist) most of the time, it was good to see Ken work under less than ideal conditions. It can be done!
I didn't include Ken's demo images because I didn't feel it was right to share his techniques without permission. You can see a video of his work in progress on his website though.

Music by Peekaboobebop.

Face Off

12x12 oil on panel

I like the feeling that the spotlight is on this painting and the rest of the room is dim, and the figure almost silhouetted before the painting. This, of course, is Picasso's Les Demoiselles d'Avignon from the MOMA.

Sun Times - 30 Minute Study


Roughly 8x6 oil on paper - sold

This was based on a photo posted by Karin Jurick on "Different Strokes for Different Folks".
To be honest, I wanted this to be much looser and suggestive. I didn't mean to paint the backdrop so much. I guess I forgot.

N Y C

I'm off to the Big Apple for a workshop in the streets with Ken Auster. I can't wait to watch him work and learn from him. We're also going to a reception at the Salmagundi Club and Pleiades Gallery. Painting in the West Village again for the first day for sure... so if you are in the area, come by and see us. I've debated taking my laptop and posting, but I think I will not. Its a short trip and going to be jam-packed as it is. You will just have to wait until Monday to see what I've done. The above is a view from my hotel's rooftop.

One Man Show

8x12 oil on panel

Ask Castle Gallery about this painting

A group of women chatting, women on the walls and one gentleman perusing the artwork. Is he waiting for his wife to finish her chat? Is he alone and truly cares about the art? Is he bored? Is he inspired? That is what I want my viewers to decide for themselves.

The more I think about what I wrote on Saturday, about the paintings having that fresh look, (unfinished) the more I realize that is what the public didn't like about the work at that time. They thought it was incomplete and haphazard. The Salon at that time always valued art that had been labored over and was very intense. Monet's sunrise "impression" was like a study and was decried for the most part.
Now many artists embrace that simplicity of stroke and spontaneity as they seek to loosen up and paint their impressions.

Museum Sketches

Today I went to the Austin Museum of Art to do some sketching. The current show is wonderful... at least the half that is hung with masterworks like Berthe Morisot, Eduord Vuillard, Bonnard, Matisse, Renior, Gaugain, etc.
Its not the typical art which hangs at the AMOA.

The museum is promoting the show and sketching during it until Nov. 2nd. I sketched both some of the works, and some of the people viewing the exhibit.







One thing that really caught my attention was how "incomplete" some of the paintings were. The brushwork is sketchy at best in some, and the support (cardboard, canvas) shows through, unprimed. It was interesting to see the work so fresh, so spontaneous. I tend to think I have to cover every square inch with paint! Perhaps they were being frugal... given that paint must have been very dear. But, I admire their style and their expression.

The other thing that amazed me about the show is that much of the work came from Austin collectors.

Thank You

I am feeling particularly blessed this week to have such a wonderful, supportive audience for this blog and my artwork.
I can't express how much I appreciate all your thoughtful comments, your encouragement and helpful hints. I love the ideas that have been coming in regarding my need for inspiration. Some of you sent my some cool photos which triggered my imagination. Some had great ideas for new places to look for subject matter. Thanks to you all! And V - I still don't know what an Aggie is either. :-)
This whole genre of "art on the internet" and the communities I am part of now is really amazing. I've met some fantastic artists, made very generous and helpful friends... though I've actually had the pleasure of meeting them face to face rarely. I have a great resource in the Daily Painter's Gallery forums. And art collectors who might otherwise have bought prints at their nearby superstore, are now finding original, unique art for themselves and their friends.

Happy happy joy joy

Oil on Paper Studies

For those who might be wondering about my studies on paper; the paper I am using is called "Acrylic" by Stathmore. It says: "Heavyweight, linen finish is perfect for acrylic painting. Acid free."
I am not priming it in anyway. Just painting on it. It is a nice stiff paper too, almost like a museum board. The oils get absorbed quickly, and the paint doesn't move very much on it but that lends itself to my process for these studies. It is an exercise in putting a stroke down precisely and building on it, not dabbling and softening. I have a tendency to want to blend and soften with oils which I think is being noncommittal or unsure of where I am going. When I start dabbling, its time to stop painting and refocus.

Cafe du Monde - 60 Minute Study

12x8 oil on paper

Click to purchase this study in my new Etsy shop.

This is all I've had time to paint today. I spent the bulk of my morning doing lots of business things. And laundry (someone has to.) I am really proud of having gotten so much done, even if it hasn't been all painting. It might really surprise people who don't know what else goes on in an artist's studio to know how much we have to be business-type people as well as creatives.

Speaking of business, I have set up shop with Etsy so that I can offer these sketches on paper as well as other works which are in need of good homes. Please check it out.

Lighthouse

12x12 oil on panel

Ask Castle Gallery about this painting

This is based on a small work I did a few months ago. Again, I used a Hopper exhibit as the setting. Again, I stayed loose and gestural capturing the setting in an impressionistic, almost expressive way, rather than getting tight and detailed. Such details as the hard edges of the frames and walls often cause me to tighten up and paint objects... when I keep seeing just shapes of color and move my brush around a lot, like a conductor, I can ignore the boundaries.

Casual Observer

7x5 oil on panel
sold

This was painted yesterday after my "loosening up" exercises. I like it. I feel like I got the brushwork loose and gestural and got enough color notes to make it interesting, though its rather a tonal painting.

Flockers

6x18 oil on three panels
Contact me to purchase the triptych

Today, I really wanted to loosen up. This was a great exercise because it was something so different. I just painted the large shapes and pushed the color. I didn't see the shapes as "birds" and get tied up in "what it is." I then worked into another painting with a human form to try to carry on this looseness. I will show you that tomorrow.

Now. My subject. Grackles are not terribly popular in Austin, though they are interesting birds. They are usually found in urban areas, but they've invaded my backyard recently. They are scaring my song birds away from the feeder. They are aggressive, loud, congregate in large groups, and can destroy your car if you park under their tree.

Challenge Me

I need some help from my audience.

I am having a real block when it comes to the small works I offer on here. I think that the limited size of the panel feels confining and I have trouble thinking of what to put on so small a scale.

So my challenge to you, is to come up with some thing to get me motivated. Send me your photos, suggest I paint insects, animals, only in blue, something!

Leave your comments here so we can all have fun with this challenge and lets see if we can get me motivated!

Sunny Seating

14x11 oil on panel

on hold

This sunny spot is a scene from the River oaks Country Club in Houston where I did my recent live event painting. I have wanted to do more interior scenes, but have not found many good subjects unfortunately. I will be scouting for such in NY at the end of the month.

Hot Mama

7x5 oil on panel
$100 + $12 s/h - sold

Ya'll - I'm struggling. I know, I know... you say its my own fault for not being consistent. You're right.
I worked on several things today and didn't really like anything I did. Then in the last hour, I set my timer, and painted this. Just a half hour!

I've realized one important thing. When doing a small painting, the subject needs to be simple. I can't squeeze three or four figures, or a crowded city street scene, into a format this small. I get too tight with the brushwork and feel compelled to put in details, which are too small to paint (given my style). So lesson learned today.

The scene is from Siesta Key in Florida.

Farm House - 30 Minute Study

6x8 oil on paper canvas

This little white house sits on a rise on a corner not far from where my husband grew up. He painted this house when he was in high school. The walls, that is. This was late evening after a rain when we happened by and the sun was just going down behind the hill.

I had a small painting today also - one to sell - but two of my lights are burned out in my studio and I can't get a good photo. I will post it tomorrow.

Jack - 30 Minute Study

12x9 oil on paper
nfs

This is Karin Jurick's Jack. I painted it to participate in her new painter's challenge Different Strokes from Different Folks. I love this concept. She posts a photo and anyone can work from it and it will be posted to the blog. Its fun to see all the varied interpretations and I look forward to doing more. Its so good for artists to do exercises and I am always looking for new ideas.

This was my jump start back to painting. What a long break I've taken. Remember when I said I was going to do something daily no matter what? I'm still laughing at that. Never put things in writing. ;-)

It was very hard going back to work, so that is another reason I am grateful to Karin for starting this. It at least gave me something to do. Otherwise, I'd be floundering with too many possibilities and feeling overwhelmed.

River Oaks Wedding Video

Well I can't believe I figured this out! I must give a nod to Qiang Huang who told me he uses Windows Movie Maker. Once I downloaded that, and ditched the other Sony software, this was a breeze. Thanks Qiang!

So, let me explain the video. I set my camcorder up behind my easel and out of the way. Once it got knocked and you can see the view change for a few frames. I set it to capture every 10 minutes I think and it was too long a time lapse, but you can see the work develop - though it kind of goes in spurts.
I left the audio as it was too so you can share the whole feeling of the event. In the beginning, the lights are up and the band is warming up. Then the people begin to arrive and the noise level increases, voices almost drown out the music. You hear snatches of songs, see guests stop and visit with me, and see me tapping along with the music until the voices fade, the music stops and the lights come up.

These events are so fun for me. Its so special too to share these amazing events with the families and friends.