New York Trip

Today I am sharing my work from the damp streets of NYC. I tried Ken's approach, which is an interesting one. If you look at his website, you can see a video demo of his work in progress (under workshops). You can see he starts with a black paint sketch and then builds up his color blocks. Now what really sort of threw me and the rest of the class was that he see light (sun) as "cool". Granted, when you lighten with white paint, it will cool it because white tends towards blue. And when you have cool light, you get warm shadows. That makes sense to me, but the idea that its always that... when I looked at the buildings before me and saw warm grays and ochres, etc. was very strange. He had convincing arguments, and its not my place here or anywhere to speak for him or represent him. But I am curious what other's thoughts are on "light". Does it change temperature? Is it always towards the blue or cool because of the sky? And if you see this way and paint it as such... do all your paintings look alike? Mine did! See below:





On Sunday, I decided to paint what he painted. Literally, I copied his painting. He thought it a good exercise.

This is our scene:



This is Ken's marvelous painting:



Here is my copy:



Here is a close up of his:


We used a limited palette and he used a LOT of paint. Definitely click on the image above to see it in detail. I want to try this myself. If only I could find the time to "play" this week. So far, everything at home is falling apart. Again, Ken is a fabulous teacher. I highly recommend him if you are interested in loosening up, painting lush cityscapes and creating art and not just copying a scene. And if you think it looks easy or unfinished, let me tell you, he worked very hard to create it.