Friday, May 21, 2010

Produce Stand


11x14 oil on panel

This is the one I've stewed over for a week. I had done the gray scale version of this in order to figure out the values. The majority of it being in shade threw me apparently. I know that I respond to and am inspired by strong contrasts of light and dark, but this scene really struck me with the backlighting and softer, subdued foreground. And I knew it could work, I just had to get what I envisioned out of my head and through my brush. And man, did it feel great!

I struggled last week with time... always something lately interrupting my studio time. The week before, I was struggling with brushwork ... trying to define too much, paintings looked like patchwork quilts. It all came together in this.

I actually went on to paint two more lovely paintings yesterday (if I do say so myself!) And one today. Hopefully the weekend will not disrupt my new-found creative spark. We have just one week of school left now too - so I have to be busy next week! I wanted to have all my work done for the show in July so I could just focus on framing and such, but dragging my feet the last two weeks has put me behind. My daughter very kindly says she will let me paint. We shall see how that works out. She doesn't have a camp set up until mid-June and then later in the month, we are off to Florida. I look forward to posting all my show paintings leading up to the opening in Vermont. Sprinkled in with some Florida beach scenery. Ah, summertime!

Saturday, May 15, 2010

Moses Botkin Monthly Challenge

This month it was my pick and I decided we should experiment with a limited palette. And I meant limited. I chose the complements of purple and yellow to paint whatever subject we each wanted. We could add white and mix the two colors to make grays, but no black.

It was a fun challenge. It forced me to look at values, something I am struggling with this week! It also made me loosen my brushwork more, as there was less tendency to define everything and separate it based on color changes. While I went loose and undefined though, some of the group really worked the colors to make them as natural looking as they could and achieved some really interesting and surprising results. Be sure to check their blogs for more information on how each one approached the assignment.

Enjoy!


Study in Complements
8x10 oil on panel
Paint colors: ultramarine blue/quinacridone red, hansa yellow and white.
© 2010 Robin Cheers



Sliced Plum on a Wood Block
5x5 oil on panel
Paint colors: ultramarine blue/cadmium red, cadmium yellow and white.
© 2010 Jeanne Illenye



Dancer at the Bar
7x5 oil on hardboard
Paint colors: ultramarine blue/thio violet, cadmium yellow medium, white



PY Study
12x9 oil on panel
Paint colors: cobalt violet, cadmium lemon and white.
© 2010 Vicki Ross



Sofia
20x16 oil on canvas
Paint colors: ultramarine blue/alizarin crimson, cadmium yellow, white
© 2010 Suzanne Berry

Friday, May 14, 2010

I know there is a painting in here....

...somewhere.



The setting- a farmer's market.
The story so far - tried to mass in using color. Wiped it off. Tried to draw it carefully and paint each section. Wiped it off.

The trouble is values. My head knows the logic, but my hand can't seem to make it happen. There are many colors and lots of different market "brick-a-brack" but I am not holding the correct values in full color.

So I reduced it to basically three values and am gratified to see that I am right, there is a painting in this scene! But to make it happen in color - there is the rub.

Stay tuned.


note: tomorrow we share our Moses-Botkin Monthly Challenge paintings!

Monday, May 10, 2010

ETSY

Once in awhile I like to remind friends of the most wonderful outlet for all things handmade. I find gifts on ETSY all the time - teacher's gifts, mother's day, something for a special friend, etc. Everything from scarves to jewelry to fine art. And they are all so unique and creative. You really need to check it out! You have to have an account (username/password) to shop but its so worth it.
Some of the vendors put together neat "treasuries" too.... and I was included in some very fun ones this past week.
Check them out -
May's Dream of Summer Vacation makes me long for the lazy days of summer.
Paintings of Kids at Play is a lovely collection of children in art.

My painting of the sprinkler park was featured in both.


11x6 oil on panel
$150 + s/h - sold
Available on ETSY

I have not yet really put much energy into my ETSY store, but it is something I plan to work on and use more regularly.

Thursday, May 06, 2010

Tête-à-tête


11x14 oil - linen mounted on gatorboard

Finally following up with my demo painting. I really liked the loose quality I had when I finished at the New Braunfels Art League meeting and didn't want to muck with it too much. So I worked a little more in the faces and gestures of the couple and filled in some of the white canvas... but left the majority alone.

There is a good lesson in that. Stopping before its done. Was it Richard Schmid who wrote something like that? It takes two people to paint a painting... the artist and someone to tell the artist when to stop.

Today I needed that person. I lost my vision, got carried away with too many small brush strokes and ended up with a busy mess. The only good thing about a bad painting is that it makes me anxious to get back to work first thing in the morning and do it right.

Tuesday, April 27, 2010

Salado Ranch

Today I went to a private ranch out near Salado which is north of Austin. I tagged along with V....Vaughan - my job was opening gates and such. Gorgeous place. I have to say that I don't think I've ever seen as many varieties of wildflowers as we have blooming now in central Texas. After such a brutally hot summer and a long drought, its a real relief. Its still relatively cool too, though I did get a bit of a sunburn.

Pretty pleased with my little ranch studies. And being surrounded by the munching angus, longhorns AND horses was quite peaceful.

I painted two scenes almost simultaneously actually. I had a 12x9 panel but wanted to paint smaller. I also liked two views so I just divided my panel in half worked back and forth between them.

Anyway - see below. I'm a little too distracted this evening. I found a tick on me and even after a shower I feel like my skin is crawling.








Ready for his close up! Handsome isn't he? :-)

Monday, April 26, 2010

Artists Retreat

We had a wonderful painting weekend in the Texas Hill Country. I joined about 20 other artists at a really cool little "camp" - Roddy Tree Ranch - on the Guadalupe River. I painted and sketched all around the area, some on the river and some of the cottages on the "ranch" site. There were some beautiful views... as well as horses, donkeys, old tractors and cars, and colorful characters.

It was so nice to just wake up and have nothing to do but get my breakfast and walk out to paint. I worked on site for awhile, then we headed out to explore more of Ingram and Hunt, and eventually drove further out FM 1340 which has to be the prettiest drive in central Texas. It was just lovely.

I won't blog everything, but for those who can get on Facebook, I posted lots of photos of the area and some of the fun things we saw on the way.

I have to say, I am rusty when it comes to landscape painting. And everything was such bright colors... sometimes I felt like a kid with a box of crayolas. And part of Saturday was so windy! Wow... luckily that died down and we really couldn't have asked for better weather.

Below are my paintings/sketches. I learned on the last two to stop fiddling and leave it loose and incomplete.


First painting of the weekend... one of the cottages prettily lit up with morning sun. Not exactly how I captured it though. The sun is so very bright, that judging value is hard.


I set up to paint the horses/pony/donkeys - whichever was going to pose well... but some other artists joined me then and the animals got curious and continually milled about keeping an eye on us and begging for treats and scratches. So I did this quickie of the pony with a halo of sun around him.



Trucked our things into a narrow, wet path alongside the Guadalupe river to get a view of these falls. Dropped my brush in the edge of the water at one point. No other major mishaps though! You could tell it had flooded recently... a canoe was stuck with a bunch of debris halfway up a tree.



Ok - I was wearing out here maybe. I had such great views of the other artists at work here, but the green was so bright, the water so blue, etc. that things ended up looking very childish. I almost scraped it off, but actually, it probably has some merit with another hour of work. I realized here that I quit too soon.... give up too easily.



Took ONE more stab at it Saturday evening. I saw this view Friday when we'd arrived. 24 hours later I went back to this site knowing the shadows would be long with the sun getting lower in the sky (6:30 ish) . I suppose I had thought about it long enough that I had it in my head and my hand knew better what to do. I was pretty pleased with my results here. Also decided to not define everything, but to just focus on my center of interest. I worry too much about filling in the canvas/board.



Sunday morning, we went back to "my view" and I painted a house on top of the hill this time! This hill is above the river, which flows pretty much west to east here... so we were in a great spot to paint long shadows on the ranch.

I am so glad I went - what a great group we have in Austin - now over 100 members! They have paint outs weekly in some very interesting areas around Austin - lots of great ideas and companionship come out of it. I'm going to keep my plein air set up packed and ready and get out more regularly. Its good to get out of the studio and talk to people in real life some!

Thursday, April 22, 2010

Morning Out


9x12 oil on panel

I loved this subject so much that I painted another view. I will have a good opportunity to paint more painters this weekend, as well as some horses, river, landscapes, etc. Tomorrow I am joining Plein Air Austin for their annual retreat. We're heading to a camp in Hunt, Texas (a few hours from Austin) and I can't wait for a little getaway. It will be relaxing as well as inspiring I think to be around many gifted artists all focused on one thing... creating art!

Wednesday, April 21, 2010

Painting Demo

Last night I went to New Braunfels and did a painting demonstration for the New Braunfels Art League. I have never done one before. I am pretty proud of myself today! I think it went well and I was reasonably relaxed. They talked and asked questions and I described my working methods some while I painted for about an hour.
I had a harrowing drive down there through rush hour traffic in Austin. But once out of town, the highway cleared and I made it on time. (just)
I have to say, I think New Braunfels is one of the nicest small towns in Texas. They have a thriving downtown area, a large art community, nice landscape, and really warm, welcoming people.

As for my demo, I chose to paint something that I have done before. I actually took a large version of this which is finished and going to my show in July. I thought it might be nice to show the final product while I developed the new painting.


11x14 oil on mounted linen

I worked for about an hour so its still quite loose. I massed everything in and then just began to refine areas. I'll probably put another hour into this to complete it. I will post it again then.

Thank you to Gaye Sekula who so gently pressured me to trying this and to the NBAL for your interest and attention and a warm welcome!

Thursday, April 15, 2010

Moses Botkin Monthly Challenge

SPRING is in the air!

This month's challenge was suggested by Jeanne Illenye and it was nice and broad for our interpretation.

About a week ago I met the Plein Air Austin group for a paint out at a beautiful ranch near Kyle, Texas. The landscape challenged me, as always, and I turned my attention to my fellow painters. What can I say? I am a figure painter. My sketch there was loose at best. But I liked the idea a lot and so chose this subject as my view of spring! I wonder if Johnnie and Suzanne will recognize themselves?



En Plein Air
9x12 oil on panel
©2010 Robin Cheers



Spring Wonder
4x6 oil
©2010 Diana Moses Botkin



The Lost Ribbon
8x8 oil on canvas
©2010 Jeanne Illenye



Stretch
18x18 oil on canvas
©2010 Michael Naples



Spring
9x12 oil on panel
©2010 Vicki Ross



Easter Sunday
12x12 oil on canvas
©2010 Suzanne Berry

Wednesday, April 07, 2010

Boating Party


11x14 oil on panel

Ask Edward Montgomery Fine Art about this painting.

I sent some new works to California last week. This painting, featuring Manet's "Boating" was among them. The scene is from the Metropolitan Museum of Art - I wish I had weekly access to it. What amazing work - and architecture - to inspire there.

I'm still working away on gallery paintings but holding back sharing the show pieces until closer to the opening in July. Since I am not painting small "daily painter" works with any regularity, I've decided to drop off the Daily Painter's Gallery. It was a hard decision - I've been with them since I began blogging in 2006! If you find my work on there on occasion and want to follow me regularly, sign up!

Tuesday, March 30, 2010

Everyday People V


8x10 oil on carton board
$150 + s/h
I keep forgetting to mention that I am working on paintings for my upcoming show at Studio 47 in Woodstock, Vermont. It is to be a three-person show. Initially we thought to do just a solo show, but as I am newly represented there, I wasn't sure we'd have the draw for just me. Want it to be worth everyone's while... setting up and hanging a show is hard work.

I am having fun exploring some new scenes. And some old favorites. I will unveil all the work on here as the July 24th opening draws near.

Monday, March 29, 2010

Everday People IV


10x8 oil on carton board
$150 + s/h
This might be the guy at the bus stop... different days though. He was walking across a crosswalk tuned into his headphones.

Carton board is something I found at Judson's Art Outfitters. Its a tan card stock similar to the cardboard some of the impressionist masters painted on - but its updated and archival. I like the effect the oils create - almost a pastel quality. And the background color is a nice neutral tone.

Friday, March 26, 2010

Everday People III


8x10 oil on carton board
$150 + s/h
Realllly love this one. I am not sure I want to let him go. But, an artist's gotta eat! (Or buy more supplies.)
Enjoy your weekend!

Thursday, March 25, 2010

Everyday People II


10x8 oil on carton board
$150 + s/h
Another random portrait. I sketched this homeless man who was sitting on a curb during an arts festival downtown. Below is the sketch. Today I felt like painting his face... though it tells a bit less of his story.


a page from my sketchbook - nfs

Wednesday, March 24, 2010

Everyday People I


8x10 oil on carton board
$150 + s/h

Sometimes I just don't feel like painting the background etc. when just the gesture or face says enough. So I am painting some "portraits" of everyday people. This man was sitting at a bus stop.

Monday, March 15, 2010

Moses Botkin Monthly Challenge

This month's challenge... our favorite treat. And if you didn't see this one coming from me, you don't know me very well!
Hot Chocolate, from Starbucks especially. And yes, I had saved this many cups and more in a few day's time. Speaking of, I wish I had one now to enjoy out in my backyard where my daughter is enjoying the first day of spring break.
I feel like I could also dig into that pie or the other yummy pastries. Vicki chose another favorite of mine... the nutritious, delicious apple. Maybe I will have that instead.


My Treat
6x8 oil on panel
$130 + s/h - sold



Chocolate Cordial Cherries
4x4 oil on panel
©2010 Jeanne Illenye




One a Day
47 oil on board
©2010 Vicki Ross




Tasty Treat
7x5 oil on hardboard




Marble Frosted
8x8 oil on board
©2010 Michael Naples




The Usual Suspects
24x24 oil on canvas
©2010 Suzanne Berry

Friday, March 12, 2010

9 to 5


8x10 oil on linen

Just something I did last week on a piece of loose linen. Wanted to post one more before the weekend. I'm off to Houston for a live event painting. Yes, I am still doing them. though I am trying to stop. Cutting back at least. I'm focusing more on work specifically for galleries and shows now.

Had a great morning painting today thanks to something I read in "The Artist's Way" yesterday. It sparked me to try less hard... if that makes any sense. Read about it here.

Thursday, March 11, 2010

All Gone


7x5 oil on panel
$100 + s/h
This may look like its glowing in the dark. Hard to tell what it will look like on other monitors! It is red. I took myself out for hot chocolate yesterday and sketched this cozy corner with its abandoned cup. I thought the mix of reds was striking and would be fun to play with.

I wonder if Starbucks puts something extra special in their hot chocolate because I seriously think I am addicted to it.

Wednesday, March 10, 2010

Brownstones to Red Dirt Postcard Art Benefit

Not my work, but I wanted to spread the word on this awesome benefit/art auction again. I think I've posted it on my Facebook page, but not here.

The auctions last only 3 more days on Ebay and you really don't want to miss the opportunity to buy some inspiring art for a great cause.

I'm watching something like 12 pieces. And am excited to see work created by my favorite children's book/film illustrators.

Check out their blog and website for more information on the film and the benefit.
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