14x14 oil on linen
Been in a museum mood lately. It seems a good subject to paint a little larger. I keep hearing I should paint bigger but I worry that my subjects are rather intimate sorts of settings that won't lend themselves to large works. Who wants a giant chef in a busy kitchen on their wall? But I am scaling up to give several of my galleries more options. I do think I have a contemporary feel at least, and want to push that more so I can maybe hang these larger pieces on cradled panels and not frame them.
In this piece, I painted over a bad start that I had scraped and I used some palette knife just to add a little texture and move color around the background especially. I used my fingers some too.
I sometimes wonder if its cheating to use famous pieces of art in my own art. If people like the artist featured, for example, John Singer Sargent, then they have to like my painting. But, what I most like is to paint people admiring the masters, and doing what I love to do myself.
Showing posts with label museum patrons. Show all posts
Showing posts with label museum patrons. Show all posts
Wednesday, May 15, 2013
Sunday, July 08, 2012
Portrait Society
10x12 oil on panel
Available at Tidewater Gallery
Available at Tidewater Gallery
I've been working on some commissions lately which I can share with you soon. For now, we'll keep looking at the new works available at Tidewater until the end of my show July 14th.
Thursday, June 14, 2012
Student of the Arts
10x12 oil on panel
SOLD
This is it! I'm packing my bags and heading to coastal NC early Friday morning. The opening reception will be fun I think and it will be really nice to see all 25 paintings hung together. It was a big undertaking, doing a solo show! Its going to be nice to celebrate now after all my hard work. If you are in the area - please stop by and say hi!
You can purchase a show catalog for $15 and see all the paintings as well as a couple of pages where I show work in progress and talk about my techniques. This painting is one of those demonstrations. And its one of my favorites for this upcoming show.
You can purchase a show catalog for $15 and see all the paintings as well as a couple of pages where I show work in progress and talk about my techniques. This painting is one of those demonstrations. And its one of my favorites for this upcoming show.
"Vignettes"
An exhibition of small works by Robin Cheers
107 N. Front Street
Swansboro, NC
910-325-0660
Opening reception Friday, June 15, 5-8 pm
Thursday, October 27, 2011
Masters Exhibit

12x12 oil on panel
Available at Loretta Goodwin Gallery
I sent this and 5 other new works to the gallery for their Fall Open House which is today. I wish I could be there. This week has been chock full - culminating with a Girl Scout campout this weekend. I'm excited that our weather is turning cooler so it will be a lovely weekend in Zilker Park.
I've added the new paintings to my Loretta Goodwin page - linked over there on the right - if you want to see all the new pieces. I find the blog easier to update with all my gallery works so people can see what's currently available. My website is a disappointment at the moment.
Tuesday, May 03, 2011
A Good Look

10x8 oil on panel (each)
Ask Edward Montgomery Fine Art about these paintings.
A pair of paintings to share today. I just loved how both women were leaning in and curved - almost echoing the contemporary figures they are studying. I painted these right next to one another so that the background colors match as if they are one painting. But I meant for them to be framed and hung separately.

Here they are framed in the wonderful handmade and hand-finished Glaser frames. They are my preferred frames for my work.
Monday, June 21, 2010
Two for Toulouse

14x11 oil on panel
Ask Studio 47 about this painting.
I'm not sure if others will like this as well as I do. But I needed to loosen up the other day after working on (and failing to complete) my triptych.
I get a little bored painting the gallery scenes when so many are white on white. So I converted this photo to grayscale and made up my own color scheme. I really tried to push the color and brush work. It felt really good.
I painted this corner of the Met more realistically too a week or so ago. I will post that one tomorrow. But I think I will do more paintings from black and white photos - I enjoyed my own interpretation, creating a more colorful, yet cohesive scene while I focused on values. Something I can always use practice with.
Wednesday, November 12, 2008
The Artist Within

20x24 oil on linen
on hold
I am so pleased with this painting. I was so excited when I saw this woman painting in the National Gallery of Art. I watched her for awhile. I watched the other patrons watching her. She is copying the painting "The Mother and Sister of the Artist" by Berthe Morisot.
The gallery was awesome in so many ways and seeing two of my most admired artists hanging side by side was awe inspiring. The other painting is Mary Cassatt's "Little Girl in a Blue Armchair".
This painting is to be entered in a contest. It will be available for sale later.
Saturday, September 20, 2008
Museum Sketches

Today I went to the Austin Museum of Art to do some sketching. The current show is wonderful... at least the half that is hung with masterworks like Berthe Morisot, Eduord Vuillard, Bonnard, Matisse, Renior, Gaugain, etc.
Its not the typical art which hangs at the AMOA.
The museum is promoting the show and sketching during it until Nov. 2nd. I sketched both some of the works, and some of the people viewing the exhibit.



One thing that really caught my attention was how "incomplete" some of the paintings were. The brushwork is sketchy at best in some, and the support (cardboard, canvas) shows through, unprimed. It was interesting to see the work so fresh, so spontaneous. I tend to think I have to cover every square inch with paint! Perhaps they were being frugal... given that paint must have been very dear. But, I admire their style and their expression.
The other thing that amazed me about the show is that much of the work came from Austin collectors.
Wednesday, May 28, 2008
Pontificating Pollack

6x6 oil on panel
$100 + $12 s/h - sold
Ok, I'm sorry about the title. But it cracked me up.
This couple is looking at Jackson Pollack's painting One: Number 31 in the MOMA. A lot of people rather think Pollack was pulling one over on the public with his artwork, but I really do like it. I like the energy he created. And I imagine it was a very freeing way to paint. Sometime I must try it just for fun.
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