Harmony In Green

12x12 oil on panel

After a couple of warm up paint sketches, I did this pair of dancers, the Snow King and Queen at rehearsal. I'm really pleased with the color harmony, but the photo does not do justice to the brushwork, especially the gesture of her hands. (I'll try to get a better shot later.)

As you know, I have been setting my timer and doing many 30 minute studies. I can't tell you how invaluable this practice is. I am able to turn off my left brain entirely and just let the paint flow. I don't stop and check details or all will be lost. The first thing I do is make some marks with my brush indicating the forms, measure quickly and then I am off. I mass things in, start varying color for light/shadow changes and let the brush do its own thing. There is harmony on the palette too painting this way because I frequently just pick up and blend what is there so I am not fussing with color. I refer to my source material but don't focus on contour or outlines, just shapes of color. There is always time to fix the mistakes later, once I have the foundation down.

Frequently I stop when my digital kitchen timer goes off. Today, I started my painting this way, and when the timer went off, I stepped back and was able to return to finish with those details and background I skipped. There wasn't much to do because I had painted so passionately from the start and I wanted to retain that spontaneity. I lost track of time then, but it was delicious work.

This is the painting at the 30 minute break.



This panel has a coat of gray acrylic house paint on it ala Ken Auster and Miro Sinovic. Both like this surface a lot and I see why. The paint lays on it nicely. Its very smooth and doesn't absorb the paint at all, like gesso tends to. I believe I will use it some more.